The choreographer has a sharp eye for psychology.  On a half-lit stage, Djamila Moore lay on the floor curled as if in sleep.  Kristen Warnick took a cord and created an outline around Moore, like a police crime scene.  Then she curled up and lay beside her.  Moore noticed the intrusion.  She got up, moved a few feet away and reassumed her position, alone again.  It was an understated moment, perfectly observed. Read more here.