Its staging is simple: a series of written dialogues between Vandenbroucke and her past, Vandenbroucke and her present, and Vandenbroucke and her artistic collaborator, Brian Rogers. These dialogues range from the mundane (the experience of making a dance), to the personal (experiences of personal failures, frustrations, childhood memories, artistic influences), to the philosophical (what it means to begin and/or end something, why things (dances) matter). read more here.