Their corporeal offerings are, by turn, luscious and stark; each dancer, obscured by fabric, is lost in her own world to create a scene that wavers between intimacy and cool formality…. In the past, Ms. Vandenbroucke has worked with words to create a sensory experience. (In one piece, words were typed in real time as a way to convey ideas dancing on a screen.) In “35 ½” sentences and paragraphs are shown on the wall behind the dancers, but — like the fleeting moments in any dance — disappear quickly so all you grasp is a fragment or two. More here.
The New York Times
May 19, 2013